Remote Production
REMI, turnkey- Turnkey broadcast
- Remote production (REMI)
- Live direction & switching
- On-air graphics & overlays
- Stream delivery to Twitch, YouTube & more
We build, cast and deliver esports broadcasts from anywhere in the world.
Trusted by publishers, leagues & teams


DarkZeroHire one role or the whole crew: production, casting, observing, editing, talent and software.
OBLOGA Media Group is a remote broadcast studio. We take an esports event from the first brief to the last highlight clip.
Proven on 4000+ hours of our own broadcasts. The public release is still in the works, but studios, leagues and creators can already get early access, a setup for their team or an integration with their workflow.
The workspace a broadcast crew runs on
Plan every match, crew and channel in one calendar, then run the show with live tools built in: one chat for Twitch and YouTube, a stage timer and schedule and results graphics that publish themselves.
The whole week at a glance: discipline, series format and score, casters, analysts and director, studio or remote, and the channels each match goes out on. Filter by role and highlight your own shows.

One feed in. Every platform out.
The director sends a single stream and Relay forwards it to Twitch, YouTube, TikTok and any RTMP destination, with live telemetry and a stand-in video that keeps you on air if the feed drops.
Live status of the director’s feed: resolution, frame rate, bitrate, codecs and server load. If the signal drops, a prepared stand-in (“Technical break”, “Starting soon”) holds the broadcast open.

A real-life case: a match is live on Twitch, YouTube and TikTok, and the director’s internet drops for two minutes.
The director’s OBS sends one feed to Relay. Relay turns it into a single program stream and pushes it to every platform at once, without re-encoding.
The director’s connection drops. In about a second Relay intercepts the broadcast and puts the stand-in video on air (if OBS freezes but stays connected, after 4 s). The platforms stay connected: same live session, no restart, and viewers see “Technical break” instead of “offline”.
The director reconnects and Relay switches back to the live feed by itself in 1–2 seconds. Nobody touches the platforms, and the stream recording stays in one piece.
We run tournaments with our partners: organised, produced and cast by the OBLOGA crew from the first match to the final.
Our Ukrainian broadcast of the Major in Japan. For it we built a large on-air graphics package of our own, by hand.
Our own Rainbow Six Siege tournament series. We are building it now and will run it with our own crew, from qualifiers to the final broadcast.
We are getting ready to broadcast a new discipline. More when we can say it.